Clandestine Insurgent Rebel Clown Army at Milano

Se smettiamo di lamenatarci dopo le solite manifestazioni,

non sentiamo crescere una voglia rampante di prenderci gioco, di mescolare le carte, di ridicolizzare ancora di più le autorità, con l’irriverenza e magari un po di ironia?

la militanza e l’attivismo possono provare a trasformarsi in sovversione risonante e creativa,nella resistenza ludica.
Arriva in città la due giorni della

Clandestine Insurgent Rebel Clown Army

il 21 e 22 novembre a Milano la CIRCA recluta.

La Rebel Clown Army é alla ricerca di pazzi, ribelli, radicali e farabutti, mascalzoni e ciarlatani, disertori e scontenti che vogliano unirsi ai suoi ranghi.

Potrai far parte di una forza combattente armata di ironia spietata e formata nell’antica arte della clownerie e dell’azione diretta non violenta. Potrai imparare tattiche ingegnosamente stupide che confondono i potenti, scoprire il clown interiore che dorme dentro e conoscere la sovversiva libertà di ingannare. Non ti devono piacere i clown o i soldati. Forse c’é bisogno di vitalità e risate tanto quanto di ribellione.
Allora segui il rumore e join CIRCA!

Sabato 21 novembre @ Centro Sociale Torchiera senz’acqua
piazzale cimitero maggiore, 18 Milano
11-18.00 workshop Rebel clown Army first round
dalle 19.00 assemblea verso il Cop 15
21.00 cena
gioiosa fiesta

domenica 22 novembre @ Associazione Scighera

via candiani, 131 Milano
11.00-15.30 workshop seconda parte
16.00 prima uscita della CIRCA improvvisa e scende in quartiere
il workshop è gratuito; basta iscriverti chiamando il 3384259218 o 3408558278 o scrivendo a
sciame-rebelde@inventati.org

se arrivi da terre lontane e hai bisogno di essere ospitato sabato sera, faccelo sapere!

The sky within my house. Contemporary Art in 16 Cordoba patios

Cordoba Cultural City Foundation presents The sky within my house. Contemporary Art in 16 Cordoba patios

Curator Gerardo Mosquera

Project Carlota Alvarez Basso

Assistant Commissioner Oscar Fernandez Lopez

Venue 16 private patios and monumental patios in Cordoba (Spain)

 Organized by Cordoba Provincial Government

Executive producer Rafael Boti

Provincial Arts Foundation

Promoted by Cordoba City of Culture Foundation

Date October 22nd to November 29th, 2009

Patios – opening hours Wednesday to Friday 4.00pm to 8.00pm / Saturday 10.00am to 2.00pm and 4.00pm to 8.00pm / Sunday 11.00am to 2.00pm.

Introduction

This exhibition The sky within my house. Contemporary Art in 16 Cordoba patios presents works by 16 contemporary artists from several countries in 16 private and monumental patios in Cordoba, Spain. Patios constitute a most emblematic heritage of the city, providing a synthesis of Cordoba’s long multicultural history. Historically traceable to Mesopotamia and later to the atrium of ancient Rome, the patio was developed by Arabic and Mudejar architecture. This architectural element reached its height in Andalucia.

Cordoban patios are unique, with the explosion of color and beauty provided by its baroque proliferation of flowers. Aesthetic environments for communal life, they embrace pieces of nature and of open urban space within the home, becoming a sort of family’s Gardens of Eden in the Arab tradition. Moreover, they are places to see and feel the sky: a way to appropriate a bit of the cosmos for private use.

The artworks shown are mainly site-specific interventions inspired by each patio, or they correspond to existing projects that have been adapted to the patio’s setting. The objective is to reach a balance, or rather a mutually enriching conversation between patios and contemporary art. Thus, the patios are not mere spaces to show artworks, but active components in a relationship. The artistic interventions are bigger or smaller, depending on each case, but they carry out a meaningful dialogue. The works test and explore the relations between public and private milieus, between art and daily life, and among contemporary culture, history and tradition.

The Sky Within my House includes two exhibitions in one: visitors are able to enjoy both the art as the patios, several of which are opening especially for the occasion. Each one of the 16 patios constitutes a particular encounter between patio and artwork, a sort of micro-exhibition that has its own content and imagery and is addressed to a general audience. The exhibition’s “theme” is the patios as aesthetic, cultural, historical and semantic milieus.

Cordoba in Mode 16: The future has roots

To mark the preparation for the city of Cordoba’s candidature as European Capital of Culture, the Cordoba City of Culture Foundation, the organization responsible for designing that project, has promoted 16 different kinds of cultural activities to be organized throughout 2009 by the four public institutions in Cordoba that form the foundation: the Town Hall, the Provincial Government of Cordoba, the Andalusian Regional Government and the University of Cordoba. With this programme, grouped together under the title Cordoba in Mode 16: The future has roots, the aim is to put Cordoban culture firmly on the Spanish and international map.

List of Artists and patios

 1. Mounira Al Solh (Lebanon / Amsterdam) / Calle Martín de Roa, 2

2. Cristina Lucas (Spain) / Casa de las Campanas, calle Siete Revueltas, 21

3. Magdalena Atria (Chile) / Calle San Basilio, 50

4. Fernando Baena (Spain) / Calle Pastora, 2

5. Mariana Castillo Deball (Mexico / Berlin) / Archaeological Museum of Cordoba, Patio de la Grada, Plaza Jerónimo Páez, 7

6. Carlos Garaicoa (Cuba) / Faculty of Arts, Art Department patio. Plaza Cardenal Salazar, 3 (*)

 7. Cai Gou-Qiang (China/NY) / Cordoba Municipal Archives, main courtyard, Calle Sánchez de Feria, 6

8. Federico Guzmán (Spain) / Cordoba Municipal Archives, reception courtyard, Calle Sánchez de Feria, 6

9. Mona Hatoum (United Kingdom) / Viana Palace, Courtyard of the Gateway. Plaza de Viana s/n (*)

10. Glenda León (Cuba) / Calle Isabel II, 1

11. Rubens Mano (Brazil) / Courtyard of the Fine Arts and Julio Romero de Torres Museums in Cordoba, Plaza del Potro, 1

12. Priscilla Monge (Costa Rica) / Calle La Palma, 3

13. Jorge Perianes (Spain) / Courtyard of the Orive Palace, Plaza Orive, s / n

14. Nedko Solakov (Bulgaria) / Calle Parras, 5

15. Kan Xuan (China) / Calle Maese Luis, 22

16. Nina Yuen (USA / Amsterdam) / Calle San Basilio, 17

Find out more:

Cordoba Cultural City Foundation

María José Martín Press & Communication 957.21.22.55 / 659.80.88.16 comunicacion.capitalidad@uco.e  http://www.cordoba2016.es

Responses in a research questionnaire

I have participated in this questionnaire..mmmm… would you know my answer??? haha

 

Original text by Athina Karatzogianni http://virt3c.wordpress.com/about/ 
 
 
August 17, 2009

The Virtual Communication, Collaboration and Conflict Research Group (VIRT3C) is about passionate collaborative production and exploring the strengths and weakness of peer technology and open projects. VIRT3C will bring leading cybertheorists, internet, peer production and social networking experts together for knowledge-sharing, and collaboration in interdisciplinary academic projects, facilitating original ideas for research and funding applications. It will provide a physical base and a hub of activity, provoking and supporting new ideas of research to several successful virtual networks, such as the P2P Foundation, Oekonux and other virtual communities.

The reason people participate in online collaborative projects is to learn and develop new skills, which have economic value to developers and employers. It encourages and increases the value that can be added locally, instead of concentrating value with the proprietor. For example free software facilitates local economies, indicating a powerful organizational model, harnessing innovation and allocating scarce resources in a sustainable fashion. This new politico-economic model is currently having a great impact on business, media and global politics, to the extent that sociopolitical movements have taken notice of the potential of the new technoscape for societal change, as much as governments are more and more engaging with the financial benefits, challenges and threats of these informal communities and skills-development environments.

Intended outcomes

  1. A physical base in Hull for dozens of virtual networks academic and otherwise on the area of virtual communication, collaboration and conflict.
  2. A cooperative forum for dialogue about the standards and changes in online collaborative environments.
  3. A participatory group, exchanging ideas, experiences, and creating collaborative research agendas.
  4. Promoting ideas and values of online collaboration, conflict resolution and raising the visibility of alternative governance and organization.
  5. Networking with individuals and organizations working in the identified areas to develop contacts and knowledge exchange opportunities with participants.
  6. Creating educational activities in the forms of seminars, workshops and conferences and working groups for knowledge exchange.
  7. Developing new research and publications in this field, new research outlets, such a electronic journals in collaboration with partners.
  8. Coordinating funding applications for European, international projects and smaller grants in collaboration with member individuals and organizations.

WE GOT IT !!!!!

yep !! after so many time searching and searching we have found 2 perfect places in Berlin :o )) Right now are to big flats, I know, i know, we were talking about an old factory but seems very difficult to find one, so we going to start step by step.

and….what happen with A’dam ??

hahaha A’dam is too well haha.

Silke found a house in Noord, not to far of city centre, this house has 3 bedrooms and some friends are living there now, Markus goes and comes, as I’m going to be soon.

Our relation have arrived to a new stage, I never have had a relation like this, so It’s time to explore !! haha

It’s interesting, I met some guys who are creating a project as our also in Berlin , we going to collaborate together. Things start to become true, all hard work ….

very intense and special days for me, a lot of  friends, a lot of talks, in fact I’m talking with several people about very deep thoughts, from socialism of  S. XXI (yep, and all know I’m developing some thoughts upon colectivism S.XXI),  to what should be the new key concept of S.XX I philosophy. I have been admited in 2 european societies of philosophers (I’m charmed), and expressing my thoguhts thru words and thru my art work (my creative attack is still alive yeah !! ) it’s helping my to grow as person and as artivist.

I can’t wait to go to London meeting in October but it’s very far………

Connective Mutations: Autonomy & Subjectivation in the Coming Century

Connective Mutations: Autonomy & Subjectivation in the Coming Century
A Seminar with Franco ‘Bifo’ Berardi
September 3-6, 2009 – New York City
Organized by 16Beaver (http://www.16beavergroup.org) & Minor Compositions (http:// www.minorcompositions.info)
The concept of the subject is crucial for radical philosophy of the second half of the twentieth century. Arguments and debates over the nature of the subject, the location and nature of the revolutionary subject have vastly shaped radical politics and organizing. The work of Felix Guattari and Gilles Deleuze changes the frame of this discussion, proposing the concept of subjectivation, or becoming-subject, as a framework to understand the multiple becomings and states of social encounters. This concept of subjectivation overlaps significantly with the concept of class recomposition developed in the 1960s and 70s by autonomist thinkers such as Sergio Bologna, Mario Tronti and Toni Negri. Both strains of thought focus on how forms of social antagonism and resistance give rise to new social positions and possibilities for collective becomings.
Today we find ourselves in a transformed condition, one created by techno-anthropological and connective mutations, marked by overwhelming flows of immaterial labor and information flows that threaten to exceed the limits of the body. Cyberspace may be infinite, but cybertime is not. This intensification and expansion of technological dynamics and automatisms makes problematic the very possibility of collective subjectivation. Have we reached a stated where the immersive flows of information, affect, and desire act to dampen or even preempt the emergence of new collective subjects?
This seminar builds upon the format of the “Continental Drift” seminars that Brian Holmes and 16 Beaver have conducted during the past several years. It will thus mix together presentations and discussions with Bifo along with interventions and dialogues with other invited contributors and collectives.
For more information: http://www.minorcompositions.info / http://www.16beavergroup.org Contact: stevphen@autonomedia.org

 

Franco ‘Bifo’ Berardi is a writer, media-theorist and media-activist. He founded the magazine A/traverso (1975-1981) and was part of the staff of Radio Alice, the first free pirate radio station in Italy (1976-1978). He is author of numerous books, including Precarious Rhapsody, Ethereal Shadows: Communications and Power in Contemporary Italy, The Panther and the Rhizome, Politics of Mutation, Philosophy and Politics in the Twilight of Modernity, and The Factory of Unhappiness. He is currently collaborating on the magazine DeriveApprodi as well as teaching social history of communication at the Accademia di belle Arti in Milan.

OPEN CALL for participation in an online art project

OPEN CALL for participation in an online art project

DATES:
start for Application: August 20th, 2009
in situ project in Munich: September 12th, 2009

BACKGROUND:
This project consists of two parts.

Part 1.
An installation in Public Space in Munich, Germany taking place in September 2009. This part is a prelude to the online projekt.
Google Maps will be taken from the virtual into real space: big balloons, shaped like Google marks, floating above two churches in Munich (St. Anna – christian and St. Lukas – evangelic), visible day and night, with question marks/queryes on them.

Part 2.
takes place in Internet and is meant as a open art project and discussion platform.

> further informations: www.query-online.net > about 
 

OPEN CALL:
Artists, cultural workers and anyone else interested in this discussion concerning confessions, believers, atheists and agnostics from all over the world are invited to put their queries, suggestions, comments, point of view or their feedback in terms of video, pictures or text, in Internet.
A website www.query-online.net was created in order to enable a platform for all that feedback. On this website a Google-Map-Site is incorporated with the same marks as in Munich. Thanks to all the tools provided by Google Maps, we can add images, videos and comments to the maps. The visitors in Situ and online can literally visualize their opinions and are encouraged to comment on for that asked forum.

APPLICATION:
The application form is available online on www.query-online.net and must be filled in and sent online. Please follow the online instructions for filling out the application form and uploading your contribution.

> further informations: www.query-online.net > apply
 

QUERY
Karina Smigla-Bobinski
Munich, Germany
mail@query-online.net
www.query-online.net

Factory in the Hands of Workers

Factory in the Hands of Workers

Zanon belongs to the people: FASINPAT wins definitive expropriation

by Marie Trigona Znet August, 14 2009

The workers at Argentina’s occupied ceramics factory FASINPAT won a major victory this week, the factory now definitively belongs to the people in legal terms. The provincial legislature voted in favor of expropriating the ceramics factory and handing it over to the workers cooperative to manage legally and indefinitely. Since 2001, the workers at Zanon have fought for legal recognition of worker control at Latin America’s largest ceramics factory which has created jobs, spearheaded community projects, supported social movements world-wide and shown the world that workers don’t need bosses.

“This is incredible, we are happy. The expropriation is an act of justice,” said Alejandro Lopez the General Secretary of the Ceramists Union, overwhelmed by the emotion of the victory. “We don’t forget the people who supported us in our hardest moments, or the 100,000 people who signed the petition supporting our bill.”

Hundreds of workers from the FASINPAT factory, factory without a boss, waited anxiously until the late hours of the night for the legislature’s decision. The expropriation law passed 26 votes in favor and 9 votes against the bill. Thousands of supporters from other workers’ organizations, human rights groups and social movements, along with entire families and students, joined the workers as they waited outside the provincial legislature in the capital city of Neuquén. Enduring the Patagonian winter weather, activists played drums and shouted: “here they are the workers of Zanon, workers without a boss.

” FASINPAT has operated under worker control since 2001 when Zanon’s owners decided to close its doors and fire the workers without paying months of back pay or severance pay. Leading up to the massive layoffs and plant’s closure, workers went on strike in 2000. The owner, Luis Zanon, with over 75 million dollars in debt to public and private creditors (including the World Bank for over 20 million dollars), fired en masse most of the workers and closed the factory in 2001-a bosses’ lockout. In October 2001, workers declared the plant under worker control. The workers subsequently camped outside the factory for four months, pamphleteering and partially blocking a highway leading to the capital city of Neuquén. While the workers were camping outside the factory, a court ruled that the employees could sell off remaining stock. After the stock ran out, on March 2, 2002, the workers’ assembly voted to start up production without a boss. Since the occupation, the workers renamed the factory FASINPAT (Factory without a Boss).

The workers set up a stage with a giant screen for the thousands of supporters to view the legislative vote. As the decision was read, workers embraced one another in tears in disbelief that after 8 years of struggle they finally won legal control of the factory. “This decision reflects an organized struggle that won the support all of society,” said Veronica Hullipan from the Confederation of Mapuche. She said that the network of Mapuche indigenous communities in the Patagonia have supported the Zanon workers’ struggle and said legal decision is a “political triumph of workers’ organization.”

 Zanon workers reminded their supporters that the struggle of Zanon, was also the struggle of Carlos Fuentealba, a public school teacher from the province of Neuquén killed by a police officer during a peaceful protest in defense of public education. The Zanon workers have not only created jobs, but they have supported workers struggles locally, nationally and internationally. Workers from FASINPAT were present at the protest where Fuentealba was shot point blank in the head with a tear gas canister, in police repression ordered by the conservative ruling coalition of Neuquén MPN, which has ruled the Patagonian province since the 1976-1983 military dictatorship.

“This is an important chapter in the struggle of the Zanon workers, who have been fighting in the streets for more than 9 years. First they tried to evict us in order to auction off the factory, the workers’ struggle and the community pressured the government to expropriate the factory,” Raul Godoy, Zanon worker told the national news daily Página/12. Today, the plant exports ceramics to 25 countries.

Many legislative representatives wanted to demand that the workers at the self-managed factory “guarantee a pact for social peace.” But for the workers, the pact for social peace is broken when businessmen fraudulently go bankrupt and throw hundreds of workers out into the street. “The capitalists are constantly declaring war with tariff increases, by privatizing public companies and with firings. Before this situation, the workers must defend themselves; and the workers at Zanon commit to defending ourselves, in the street, however we have to.”

According to the legislation passed, the FASINPAT cooperative which employs 470 workers and exports ceramics to more than 25 countries, will remain under the control of the cooperative. The state would pay off 22 million pesos (around $7 million) to the creditors. One of the main creditors is the World Bank – which gave a loan of 20 million dollars to Luis Zanon for the construction of the plant, which he never paid back. The other major creditor is the Italian company SACMY that produces state of the art ceramics manufacturing machinery and is owed over $5 million. However, the workers have resisted the state pay-off, saying that courts have proven that the creditors participated in the fraudulent bankruptcy of the plant in 2001, because the credits went directly to the owner Luis Zanon and not investments into the factory. “If someone should pay, Luis Zanon should pay, who is being charged with tax evasion,” said Omar Villablanca from FASINPAT.

Victory, then an eviction

While the victory of FASINPAT brings hope to many of the 200 occupied factories currently operated under worker self-management in Argentina, many are still facing legal attacks. Early yesterday morning, just hours after the Zanon victory, a police operative evicted the factory Textil Quilmes, a thread factory occupied in the new wave of factory occupations in 2009. The four workers on night guard were evicted violently. The Buenos Aires provincial government is currently debating an expropriation bill for Textil Quilmes and several other new occupations in the Buenos Aires province. The textile workers are resisting the eviction at the factory’s doors, rallying support to re-enter the factory despite police presence. They also had temporary legal protection, following an expropriation bill that was approved unanimously by the lower house in the provincial legislature.

The workers occupied the plant on February 11, 2009. “We camped outside the plant to avoid the bosses’ liquidation of the machinery. And the workers decided to take a direct action, occupy and form a cooperative,” said Eduardo Santillán, a Quilmes textile worker. With the remaining cotton left in the plant, the workers immediately began to produce cotton thread. At the time of the firing, more than 80 worked at the plant. In a common practice for business owners who file bankruptcy despite an increased demand for their product, the owner Ruben Ballani of Febatex owed the workers months of unpaid salaries, unpaid vacation time and social security. The workers also reported that the owner would force his employees to work 12 hour shifts, a practice outlawed nearly 100 years ago.

Six months after the workers were fired and the union (Sindicato Textil – AOT) failed to intervene, the workers at Textil Quilmes started up production. They claim that the union, who turned their backs on the workers once they were fired, is now negotiating on behalf of the bosses.

The occupations in Argentina continue to rise as the global economic crisis hits the South American nation. The Arrufat chocolate factory, Disco de Oro empanada pastry manufacturer, Indugraf printing press, Febatex thread producer and Lidercar meat packing plant joined the ranks of the worker occupied factory movement from 2008 to 2009. Textil Quilmes has fought along with workers from other factories occupied since the onset of the global economic crisis to demand expropriation laws; none have a definitive legal future.

Many independent analysts expect the global recession to hit Argentina’s real economy. Unemployment rates have gone up and industry growth has halted, while the financial sector remains unaffected because it already took a major blow in 2001. Those who benefited from Argentina’s economic recovery of course are now those who are using this crisis as an excuse to downsize and lay-off workers with the promise of public bailout packages and government credits.

The phenomenon of worker occupations continues to grow as the world falls deeper into the current recession. Nearly 20 new factories in Argentina were occupied since 2008. This may be a sign that workers are confronting the current global financial crisis with lessons and tools from previous worker occupied factories post-2001 economic collapse and popular rebellion. Today, some 250 worker occupied enterprises are up and running, employing more than 13,000. Many of these sites have been producing under worker self-management since 2002, providing nearly a decade of lessons, experiments, strategies and mistakes to learn from.

Zanon and others from the occupied factory movement have proven that they are capable of doing what bosses aren’t interested in doing: creating jobs and work with dignity. This may be why government representatives, industry leaders and factory owners have remained silent and often times reacted with hostility on this issue; they are afraid of these sites multiplying and the example they have set.

At Zanon, workers constantly use the slogan: “Zanon es del pueblo” or Zanon belongs to the people. The workers have adopted the objective of producing not only to provide jobs and salaries for more than 470 people, but also to create new jobs, make donations in the community and to support other social movements. For many at the recuperated enterprises, the occupation of their workplace meant much more than safe-guarding their jobs, it also became part of a struggle for a world without exploitation. While the Zanon victory is a step in the right direction, many of the occupations are facing eviction orders. FASINPAT can now operate legally and focus their attention to producing ceramics in a faltering economy. The Zanon collective has expressed their continued commitment to defending workers’ rights and self-management, which means defending all worker occupations with slogan: “si nos tocan a uno, nos tocan a todos” “if they mess with one of us, they mess with all of us.”

should I stay or should I go ??

Es el momento de decidir si acepto mi último proyecto en España o me piro directamente a A’dam. El proyecto sería de septiembre a Marzo o abril como mucho. Si lo cojo me tomaré uno o dos meses como antaño, some nomadics months, a mis lugares “intensos” la mochila, la cámara, el cuaderno, el camino y yo…., visitar a viejos amigos y a los nuevos que aún no conozco. Ahhhh!!!

A’dam va viento en popa, no pensé que fuera a salir de esta forma, ya contacté con los artivistas y tienen muchas ganas de hacer cosas, hay necesidad de crear jeje Esto me recuerda al grupo COBRA:

CO – Copenhagen

BR- Brussels

A- A’dam

junto mis propias iniciales…..

A – A’dam

BE – Berlin

CO – Copenhagen

BA – Barcelona

………..

jejejeje podría seguir, interesante !! voy a hacer una lista y ver que nombre sale.

LLUEVE !!!!!!! WWWOOOOWWWWWW

Probablemente soy de las pocas personas de la Península Ibérica que soporta mal las temperaturas superiores a 28ºC, eso de ir a la playa a dar vueltas bajo el sol, como las barbacoas, no es lo mío. Yo prefiero practivar kite-surf, o algo parecido y por supuesto evitar el sol más de los 15 minutos necesarios para asimilar las vitaminas jajajaja

voy a disfrutar de la lluvia

InTo ThE WiLd………….

…….searching for a place in this world that I fit into, where I can be true to myself………….

Real happiness is shared, is that the reason why I live in communes??? mmmmmmm

Very intense day, searching

HUgs C.

Abandon Normal Devices Festival of New Cinema and Digital Culture

23-27 September 2009 & 2011 Liverpool
April 2010, 2011, 2012 Cumbria & Lancashire
September 2010 & 2012 Manchester & Cheshire

Abandon Normal Devices (AND) is a new festival that welcomes audiences to experience the best in new cinema and media art in a celebration that spills from screens and galleries into the streets and imaginations of the North West. AND exists to create a space where artists and filmmakers can offer striking new perspectives, and visitors can enjoy, discuss and interact with ideas, in a festival that questions the normal and champions a different approach.

The festival will take place in Liverpool and Manchester on alternate years, with an extended programme in Cumbria, Lancashire and Cheshire. Expect an eclectic array of screenings, installations, online projects, public realm interventions, workshops and live events, with a distinctive emphasis on ideas and discussion.

The debut AND festival takes place in Liverpool 23-27 September. Pop it in the diary and please join us for five days of mind-blowing media art and cinematic shenanigans…

http://www.andfestival.org.uk/siteNorm/home.php